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home·artworks·Portrait of Sebastiana Merclein, his wife
Portrait of Sebastiana Merclein, his wife by Francisco Bayeu y Subias

plate no. 6254

Portrait of Sebastiana Merclein, his wife

Francisco Bayeu y Subias, 1786

oilRococoportraitportraitfigurehairclothingface
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering form with subtle value changes. It also provides practice in depicting textures, particularly in the hair and clothing.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, shoulders, and hair.

  2. step 02

    Establish the overall background tone with a thin wash of color.

  3. step 03

    Block in the main areas of light and shadow on the face and clothing using mid-tones.

  4. step 04

    Refine the facial features, paying close attention to the placement and shape of the eyes, nose, and mouth.

  5. step 05

    Develop the hair by layering dark and light tones to create volume and texture.

  6. step 06

    Add highlights to the clothing and face to enhance the sense of form.

  7. step 07

    Soften edges and blend transitions between values to create a smooth, naturalistic effect.

  8. step 08

    Add final details and adjust values as needed to achieve a cohesive and convincing portrait.

color palette

primary · raw umber · titanium white · yellow ochre

secondary · burnt sienna · ivory black

Achieve skin tones by mixing white, yellow ochre, and a touch of burnt sienna or raw umber. Use ivory black sparingly to darken values and create shadows.

techniques

  • ·portraiture
  • ·blending
  • ·value studies
  • ·scumbling
  • ·layering

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong foundation of values before adding color.
  • →Using too much paint and losing the subtle gradations of tone.
  • →Getting the proportions of the face wrong.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·ivory black oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium (e.g., Liquin)
  • ·easel

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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