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home·artworks·Portrait of Sadie P. Waters
Portrait of Sadie P. Waters by Francis Davis Millet

plate no. 9899

Portrait of Sadie P. Waters

Francis Davis Millet, 1888

oilAcademicismportraitportraitfiguredressroselacehair
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions, subtle color mixing for skin tones, and rendering fabric with realistic folds and highlights. It also provides practice in capturing delicate details like lace and floral patterns.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic proportions and pose of the figure, paying attention to the overall composition.

  2. step 02

    Establish the background color with a thin wash of warm browns and yellows.

  3. step 03

    Block in the main shapes of the figure, focusing on the dress and skin tones.

  4. step 04

    Develop the values and highlights in the dress, creating a sense of volume and texture.

  5. step 05

    Refine the facial features, paying close attention to the subtle variations in skin tone and the play of light and shadow.

  6. step 06

    Add details such as the lace collar, floral patterns, and the rose.

  7. step 07

    Blend and refine the edges of the forms to create a soft, naturalistic effect.

  8. step 08

    Add final highlights and shadows to enhance the sense of depth and realism.

color palette

primary · titanium white · raw umber · yellow ochre · ivory black

secondary · alizarin crimson · ultramarine blue · cadmium yellow light · burnt sienna

Achieve skin tones by mixing titanium white, yellow ochre, raw umber, and a touch of alizarin crimson. Use ultramarine blue and ivory black to create the gray-blue tones of the dress. Mix burnt sienna and alizarin crimson for the rose.

techniques

  • ·portraiture
  • ·blending
  • ·glazing
  • ·scumbling
  • ·rendering fabric

common pitfalls

  • →Incorrect proportions of the figure.
  • →Overly harsh or unnatural skin tones.
  • →Failure to capture the subtle variations in light and shadow.
  • →Getting lost in the details before establishing the overall form.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·ivory black oil paint
  • ·alizarin crimson oil paint
  • ·round brushes (#2, #4, #6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·odorless mineral spirits
  • ·mahogany palette

Use high-quality oil paints for best results. Pre-tinting the canvas with a thin wash of raw umber can help create a warm, unified background.

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oil painting for beginners →how to learn by studying the masters →
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