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home·artworks·Portrait of Roger Sherman
Portrait of Roger Sherman by Ralph Earl

plate no. 4034

Portrait of Roger Sherman

Ralph Earl, 1775

oil, canvasRococoportraitportraitfigurechairformal clothinghandsfabric
experienced study

This portrait would teach precise color mixing for flesh tones and fabric rendering, along with classical proportional drawing and formal composition techniques essential for figure work.

technical profile

palette complexity
2
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with accurate proportional sketch focusing on correct head-to-body relationships

  2. step 02

    Block in major shapes and establish the overall composition with simple geometric forms

  3. step 03

    Establish the darkest darks and lightest lights to map out the value structure

  4. step 04

    Paint the background drapery first, working from dark to light with smooth gradations

  5. step 05

    Develop the figure's clothing, paying attention to fabric folds and surface textures

  6. step 06

    Work on flesh tones starting with shadow areas, then mid-tones, then highlights

  7. step 07

    Refine facial features with careful attention to likeness and character

  8. step 08

    Add final details like buttons, buckles, and surface textures

color palette

primary · burnt sienna · raw umber · titanium white · cadmium red medium

secondary · yellow ochre · prussian blue · alizarin crimson · ivory black

Flesh tones mixed from white, yellow ochre, cadmium red, and touch of burnt sienna; rich fabric colors achieved by mixing reds with burnt sienna and raw umber

techniques

  • ·careful color mixing
  • ·smooth blending
  • ·accurate proportional drawing
  • ·glazing for depth
  • ·detailed brushwork

common pitfalls

  • →rushing the initial drawing phase
  • →making flesh tones too pink or orange
  • →overworking wet paint
  • →losing overall value relationships while focusing on details

materials

surface · primed stretched canvas

required

  • ·stretched canvas 18x24
  • ·#2 flat brush
  • ·#6 flat brush
  • ·#4 round brush
  • ·burnt sienna oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·cadmium red medium oil paint

optional

  • ·palette knife
  • ·#1 liner brush
  • ·medium gloss varnish
  • ·painting medium

Good quality brushes essential for smooth blending; consider using slow-drying medium to extend working time for flesh tones

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