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home·artworks·Portrait of Richard Temple, 1st Viscount Cobham
Portrait of Richard Temple, 1st Viscount Cobham by Jean-Baptiste van Loo

plate no. 5988

Portrait of Richard Temple, 1st Viscount Cobham

Jean-Baptiste van Loo

oilRococoportraitportraitfiguremanclothingwighistorical
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions, rendering skin tones, and depicting fabric folds. It also offers practice in creating a sense of depth and form through subtle value changes.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and overall pose.

  2. step 02

    Establish the background with a dark, neutral tone, blending smoothly.

  3. step 03

    Block in the main colors of the face, hair, and clothing, paying attention to the overall color harmony.

  4. step 04

    Begin refining the facial features, focusing on accurate placement and subtle value changes to create form.

  5. step 05

    Develop the details of the wig, using small brushstrokes to suggest texture and volume.

  6. step 06

    Work on the clothing, rendering the folds and highlights to create a sense of depth and realism.

  7. step 07

    Add the decorative details on the clothing, such as the gold embellishments, using fine brushes.

  8. step 08

    Refine the overall painting, adjusting values and adding final details to create a cohesive and polished work.

color palette

primary · ivory black · burnt umber · yellow ochre · titanium white

secondary · cadmium red light · raw sienna · gold

Mix skin tones using white, yellow ochre, burnt umber, and a touch of red. Achieve the gold color by mixing yellow ochre with a touch of burnt umber and a hint of metallic gold paint.

techniques

  • ·portraiture
  • ·blending
  • ·glazing
  • ·rendering
  • ·chiaroscuro

common pitfalls

  • →Inaccurate proportions in the initial sketch.
  • →Overly harsh or unnatural skin tones.
  • →Lack of depth and form in the clothing.
  • →Getting lost in the details before establishing the overall composition.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·ivory black oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·cadmium red light oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. A smooth canvas surface will facilitate blending.

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oil painting for beginners →how to learn by studying the masters →
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