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home·artworks·Portrait of Richard Arkwright Junior with his Wife Mary and Daughter Anne
Portrait of Richard Arkwright Junior with his Wife Mary and Daughter Anne by Joseph Wright

plate no. 1872

Portrait of Richard Arkwright Junior with his Wife Mary and Daughter Anne

Joseph Wright, 1790

oil, canvasRococoportraitfiguresportraitlandscapeclothingfamilytrees
experienced study

Recreating this painting will help students develop skills in portraiture, including accurate proportions and rendering of skin tones, as well as understanding how to depict complex fabrics and textures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the basic shapes and proportions of the figures and the background.

  2. step 02

    Establish the background with broad washes of color, focusing on the overall tonal values.

  3. step 03

    Block in the main colors of the figures' clothing and skin tones, paying attention to the light and shadow.

  4. step 04

    Refine the facial features, focusing on accurate placement and subtle gradations of tone.

  5. step 05

    Develop the details of the clothing, including the folds, textures, and embellishments.

  6. step 06

    Add details to the background, such as the foliage and architectural elements.

  7. step 07

    Refine the overall composition, adjusting colors and values as needed to create a harmonious and balanced image.

  8. step 08

    Add final highlights and details to bring the painting to life.

color palette

primary · ivory black · raw umber · yellow ochre · titanium white

secondary · Prussian blue · cadmium red light · sap green

Achieve skin tones by mixing white, yellow ochre, and a touch of red. Create the dark greens by mixing Prussian blue and yellow ochre. Use raw umber and white for the background.

techniques

  • ·portraiture
  • ·fabric rendering
  • ·glazing
  • ·blending
  • ·scumbling

common pitfalls

  • →Inaccurate proportions of the figures.
  • →Overworking the details too early in the process.
  • →Failing to create a sense of depth and atmosphere.
  • →Getting the skin tones wrong.

materials

surface · stretched canvas

required

  • ·stretched canvas 24x36
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·retouch varnish
  • ·painting medium
  • ·easel

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

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