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home·artworks·Portrait of Princess Marie Adélaïde of France, called Madame Adelaide
Portrait of Princess Marie Adélaïde of France, called Madame Adelaide by Anne Vallayer-Coster

plate no. 8372

Portrait of Princess Marie Adélaïde of France, called Madame Adelaide

Anne Vallayer-Coster, 1780

oilRococoportraitportraitfiguredresslacehairbow
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering delicate fabrics. It also offers practice in subtle color mixing and creating soft, diffused lighting.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the oval shape and the basic proportions of the figure.

  2. step 02

    Block in the main areas of color: background, skin tones, dress, and hair.

  3. step 03

    Start refining the skin tones, paying attention to subtle shifts in value and color.

  4. step 04

    Begin adding details to the dress, focusing on the folds and highlights.

  5. step 05

    Work on the lace and bow, using small brushes to create intricate details.

  6. step 06

    Develop the hair, using light strokes to create volume and texture.

  7. step 07

    Refine the background, ensuring it complements the figure.

  8. step 08

    Add final highlights and shadows to enhance the overall form.

color palette

primary · ivory black · titanium white · cerulean blue · rose madder

secondary · yellow ochre · raw umber

Achieve skin tones by mixing white, rose madder, and a touch of yellow ochre. The blue dress is created by mixing cerulean blue with white and a touch of black for shadows. Use ivory black and raw umber for the background, layering to create depth.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·blending
  • ·rendering lace

common pitfalls

  • →Overworking the skin tones, leading to a flat appearance.
  • →Failing to capture the delicate details of the lace.
  • →Creating harsh transitions between light and shadow.
  • →Inaccurate proportions of the figure.

materials

surface · stretched canvas

required

  • ·stretched canvas (oval, approx. 16x20 inches)
  • ·oil paints (ivory black, titanium white, cerulean blue, rose madder, yellow ochre, raw umber)
  • ·assorted round and flat brushes (sizes 0-6)
  • ·palette
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette knife

optional

  • ·retouch varnish
  • ·medium (e.g. Liquin)

Use high-quality oil paints for best results. Consider using a toned canvas to create a warmer base for the painting.

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