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home·artworks·Portrait of Princess Maria Ivanovna Kochubey
Portrait of Princess Maria Ivanovna Kochubey by Christina Robertson

plate no. 4478

Portrait of Princess Maria Ivanovna Kochubey

Christina Robertson, 1845

oilAcademicismportraitportraitwomandresspianocurtainmusic
experienced study

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and rendering realistic skin tones, as well as in depicting the folds and highlights of fabric.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the main shapes: head, shoulders, dress, and piano.

  2. step 02

    Establish the background with thin washes of color, focusing on the overall tone and atmosphere.

  3. step 03

    Block in the skin tones on the face, neck, and arms, paying attention to the subtle variations in color and value.

  4. step 04

    Begin layering the dress, using highlights and shadows to create the illusion of volume and texture.

  5. step 05

    Refine the facial features, adding details to the eyes, nose, and mouth.

  6. step 06

    Add details to the piano and music sheet, keeping them secondary to the main subject.

  7. step 07

    Adjust the overall composition, ensuring that the colors and values are balanced and harmonious.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · titanium white · ivory black · cadmium red · yellow ochre

secondary · burnt umber · ultramarine blue · alizarin crimson

Mix skin tones using white, yellow ochre, cadmium red, and a touch of burnt umber. Achieve the dress's sheen by mixing white with small amounts of blue and yellow ochre, and layering highlights.

techniques

  • ·portraiture
  • ·glazing
  • ·blending
  • ·scumbling
  • ·rendering fabric

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Getting the proportions of the face wrong.
  • →Failing to capture the subtle variations in skin tone.
  • →Overworking the details, making the painting look stiff and unnatural.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·cadmium red oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·#2 round brush
  • ·#6 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. A smooth canvas surface will allow for easier blending.

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