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home·artworks·Portrait of Princess Isabella of Parma or her mother Louise Élisabeth of France
Portrait of Princess Isabella of Parma or her mother Louise Élisabeth of France by Jean-Étienne Liotard

plate no. 4426

Portrait of Princess Isabella of Parma or her mother Louise Élisabeth of France

Jean-Étienne Liotard, 1755

pastelRococoportraitportraitfiguredresslacerococohistorical
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and subtle skin tone blending. It also provides practice in rendering delicate details like lace and fabric folds.

technical profile

palette complexity
4
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and dress.

  2. step 02

    Establish the background color with a thin, even layer of pastel.

  3. step 03

    Block in the main areas of skin tone, using light and shadow to define the form of the face and neck.

  4. step 04

    Begin adding details to the face, such as the eyes, nose, and mouth, paying close attention to subtle variations in color and value.

  5. step 05

    Work on the dress, blocking in the main colors and shapes of the fabric and lace.

  6. step 06

    Add details to the dress, such as the embroidery and ruffles, using fine lines and delicate shading.

  7. step 07

    Refine the overall composition, adjusting colors and values as needed to create a harmonious and balanced image.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · titanium white · yellow ochre · raw umber · rose madder

secondary · cerulean blue · viridian green · ivory black

Achieve skin tones by mixing white, yellow ochre, and a touch of rose madder. Use raw umber for shadows. Mix greens and blues for the dress and background, adjusting the ratios for subtle variations.

techniques

  • ·blending
  • ·layering
  • ·scumbling
  • ·hatching
  • ·soft shading

common pitfalls

  • →overworking the pastel
  • →muddying the colors
  • →losing the proportions
  • →neglecting the subtle value changes

materials

surface · pastel paper

required

  • ·pastel set
  • ·pastel paper
  • ·kneaded eraser
  • ·blending stumps
  • ·fixative spray
  • ·soft brushes
  • ·drawing board

optional

  • ·palette knife
  • ·workable fixative
  • ·reference photo print

Use a high-quality pastel paper with a slightly textured surface. Soft pastels are recommended for blending, while harder pastels are useful for fine details.

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