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home·artworks·Portrait of Prince William Henry, Duke of Gloucester
Portrait of Prince William Henry, Duke of Gloucester by Jean-Étienne Liotard

plate no. 9424

Portrait of Prince William Henry, Duke of Gloucester

Jean-Étienne Liotard, 1754

pastelRococoportraitportraitfigureclothinghairfacehistorical
some experience helpful

Recreating this portrait will help students develop skills in blending pastel colors for smooth skin tones and capturing subtle variations in light and shadow. It also offers practice in rendering fabric textures and details.

technical profile

palette complexity
4
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and clothing.

  2. step 02

    Establish the background with a mid-tone pastel, blending smoothly.

  3. step 03

    Begin layering skin tones, starting with a light base and gradually adding shadows and highlights.

  4. step 04

    Define the features of the face, paying close attention to the eyes, nose, and mouth.

  5. step 05

    Block in the main colors of the clothing, focusing on the blue jacket.

  6. step 06

    Add details to the clothing, such as the gold trim, buttons, and white lace collar.

  7. step 07

    Refine the hair, using light and dark pastels to create texture and volume.

  8. step 08

    Add final highlights and shadows to enhance the overall form and create a sense of depth.

color palette

primary · sky blue · ivory · rose madder

secondary · gold · burnt umber · payne's gray

Mix ivory with small amounts of rose madder and yellow ochre to achieve realistic skin tones. Use payne's gray and burnt umber to create shadows and depth.

techniques

  • ·blending
  • ·layering
  • ·scumbling
  • ·hatching
  • ·color mixing

common pitfalls

  • →Over-blending, resulting in a flat and lifeless appearance.
  • →Incorrect proportions in the initial sketch.
  • →Using colors that are too saturated or intense.
  • →Neglecting subtle variations in skin tone.

materials

surface · Pastel paper (toned or sanded)

required

  • ·Pastel sticks (various skin tones, blues, golds, browns, whites)
  • ·Pastel paper (toned or sanded)
  • ·Blending stumps or tortillions
  • ·Kneaded eraser
  • ·Fixative spray
  • ·Soft brushes
  • ·Pencil
  • ·Ruler

optional

  • ·Palette knife
  • ·Easel
  • ·Workable fixative

Choose high-quality pastels for best results. A sanded pastel paper will allow for more layers of pastel.

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