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home·artworks·Portrait of Prince Nikolai Borisovich Yusupov
Portrait of Prince Nikolai Borisovich Yusupov by Christina Robertson

plate no. 4527

Portrait of Prince Nikolai Borisovich Yusupov

Christina Robertson, 1840

oil, canvasAcademicismportraitfigureportraitviolinsheet musicclothingdrapery
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and subtle skin tone blending. It also provides practice in rendering textures like fabric and wood.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the proportions of the figure and the placement of key elements like the violin and sheet music.

  2. step 02

    Establish the background with thin washes of color, paying attention to the subtle gradations of tone.

  3. step 03

    Block in the main shapes of the figure, starting with the darks of the clothing and hair.

  4. step 04

    Begin layering the skin tones, using a limited palette and blending carefully to create smooth transitions.

  5. step 05

    Add details to the face, focusing on the eyes, nose, and mouth.

  6. step 06

    Paint the violin and sheet music, paying attention to the details of the wood grain and musical notation.

  7. step 07

    Refine the drapery and background, adding highlights and shadows to create depth.

  8. step 08

    Add final details and adjust values as needed to create a cohesive and realistic portrait.

color palette

primary · titanium white · ivory black · burnt umber · yellow ochre

secondary · cadmium red · ultramarine blue

Skin tones are achieved through subtle mixes of white, yellow ochre, burnt umber, and a touch of red. Dark clothing is created using a combination of black, umber, and a hint of blue.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro

common pitfalls

  • →Incorrect proportions of the figure
  • →Muddy skin tones due to over-blending
  • →Lack of attention to detail in the violin and sheet music
  • →Overworking the painting and losing the freshness of the initial layers

materials

surface · stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Oil paints (titanium white, ivory black, burnt umber, yellow ochre, cadmium red, ultramarine blue)
  • ·Assorted brushes (round and flat, sizes 2-8)
  • ·Palette
  • ·Linseed oil
  • ·Turpentine or odorless mineral spirits
  • ·Palette knife
  • ·Rags

optional

  • ·Medium gloss
  • ·Retouch varnish
  • ·Easel

Use high-quality oil paints for best results. A medium-tooth canvas will provide a good surface for layering and blending.

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oil painting for beginners →how to learn by studying the masters →
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