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home·artworks·Portrait of Prince Henry Frederick, Duke of Cumberland
Portrait of Prince Henry Frederick, Duke of Cumberland by Jean-Étienne Liotard

plate no. 2689

Portrait of Prince Henry Frederick, Duke of Cumberland

Jean-Étienne Liotard, 1754

pastelRococoportraitportraitfigureboyclothingtablepaper
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones, as well as understanding subtle color variations and soft blending techniques.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and hand.

  2. step 02

    Establish the background color with a soft, even layer of pastel.

  3. step 03

    Block in the main areas of color for the face, hair, and clothing, paying attention to the overall value structure.

  4. step 04

    Begin layering and blending pastels to create smooth transitions and subtle color variations in the skin tones.

  5. step 05

    Add details to the facial features, such as the eyes, nose, and mouth, using sharper pastel pencils.

  6. step 06

    Render the clothing, focusing on the folds and highlights in the fabric.

  7. step 07

    Add the details of the lace collar and the gold trim on the jacket.

  8. step 08

    Refine the overall composition and add any final touches to enhance the realism and depth of the painting.

color palette

primary · titanium white · ultramarine blue · yellow ochre · raw umber

secondary · cadmium red light · ivory black

Skin tones are achieved by mixing white, yellow ochre, and a touch of red. The blue jacket requires mixing ultramarine with a touch of black for shadows. The background is a mix of raw umber, yellow ochre, and white.

techniques

  • ·pastel layering
  • ·soft blending
  • ·value control
  • ·portrait proportions
  • ·rendering fabric

common pitfalls

  • →over-blending and losing detail
  • →incorrect proportions of the face
  • →using colors that are too saturated
  • →failing to create smooth transitions between values

materials

surface · toned pastel paper

required

  • ·pastel set (soft and hard)
  • ·pastel pencils
  • ·toned pastel paper
  • ·kneaded eraser
  • ·blending stumps
  • ·fixative spray
  • ·drawing board

optional

  • ·palette knife
  • ·workable fixative
  • ·glassine paper

Choose a pastel paper with a slightly textured surface to grip the pastel. A mid-tone paper will make it easier to establish values.

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