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home·artworks·Portrait of Praskovia Vorontsova
Portrait of Praskovia Vorontsova by Dmitry Levitzky

plate no. 7921

Portrait of Praskovia Vorontsova

Dmitry Levitzky

oil, canvasRococoportraitportraitchildfigureclothingfacehair
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing subtle skin tones and creating soft, diffused lighting. It also provides practice in rendering fabric and creating a sense of depth through tonal variations.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
5

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, focusing on the oval composition.

  2. step 02

    Establish the background with a dark, muted tone, blending smoothly.

  3. step 03

    Block in the main areas of the face, hair, and clothing with base colors.

  4. step 04

    Begin layering and blending skin tones, paying attention to highlights and shadows.

  5. step 05

    Refine the facial features, focusing on the eyes, nose, and mouth.

  6. step 06

    Develop the details of the clothing, including the folds and highlights.

  7. step 07

    Add the sash, carefully blending the colors to create a soft transition.

  8. step 08

    Make final adjustments to the overall composition and refine details.

color palette

primary · titanium white · raw umber · burnt sienna · ivory black

secondary · cadmium red light · ultramarine blue

Achieve skin tones by mixing white, raw umber, and a touch of burnt sienna. Use small amounts of red and blue to adjust the warmth and coolness of the tones. The background is a mix of black and raw umber.

techniques

  • ·blending
  • ·glazing
  • ·scumbling
  • ·layering
  • ·tonal gradation

common pitfalls

  • →Overworking the skin tones and creating a muddy effect.
  • →Failing to capture the subtle variations in light and shadow.
  • →Getting the proportions of the face incorrect.
  • →Using too much paint and losing the soft, blended effect.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·ivory black oil paint
  • ·cadmium red light oil paint
  • ·ultramarine blue oil paint
  • ·assorted round and flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·medium gloss

Use high-quality oil paints for best results. A smooth canvas surface will aid in blending.

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