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home·artworks·Portrait of Philippe le Bon
Portrait of Philippe le Bon by Rogier van der Weyden

plate no. 0739

Portrait of Philippe le Bon

Rogier van der Weyden, 1450

oil, panelNorthern Renaissanceportraitportraitfigurehatclothingjewelryhands
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions, subtle skin tone blending, and rendering details in clothing and jewelry. It also provides practice in creating a sense of depth and form using light and shadow.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, hat, and hands.

  2. step 02

    Establish the background color with a thin wash of blue and gray.

  3. step 03

    Block in the main areas of color for the face, hat, and clothing.

  4. step 04

    Begin layering and blending skin tones, paying attention to highlights and shadows.

  5. step 05

    Refine the details of the face, including the eyes, nose, and mouth.

  6. step 06

    Add details to the hat and clothing, including the fur trim and jewelry.

  7. step 07

    Carefully render the hands and the object they are holding.

  8. step 08

    Add final highlights and shadows to create a sense of depth and realism.

color palette

primary · ivory black · raw umber · titanium white · yellow ochre

secondary · ultramarine blue · burnt sienna · cadmium yellow light

Achieve skin tones by mixing white, yellow ochre, raw umber, and a touch of burnt sienna. The background is a mix of ultramarine blue, ivory black, and white. Gold is achieved by mixing cadmium yellow light, burnt sienna, and a touch of raw umber.

techniques

  • ·portraiture
  • ·glazing
  • ·blending
  • ·chiaroscuro
  • ·rendering

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Over-blending the skin tones, resulting in a flat appearance.
  • →Failing to create a strong sense of light and shadow.
  • →Getting lost in the details too early, before establishing the overall form.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (sizes 0, 2, 4)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. A smooth canvas surface will make blending easier.

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oil painting for beginners →how to learn by studying the masters →
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