apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of Philibert Orry de Vignory
Portrait of Philibert Orry de Vignory by Maurice Quentin de La Tour

plate no. 8545

Portrait of Philibert Orry de Vignory

Maurice Quentin de La Tour, 1737

pastelRococoportraitportraitfigurebookchairclothingwig
experienced study

Recreating this portrait will help students develop skills in portraiture, including accurate proportions, rendering of fabric textures, and subtle color blending for skin tones. It also provides practice in depicting complex details like lace and ornate embellishments.

technical profile

palette complexity
4
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the basic shapes and proportions of the figure, chair, and book.

  2. step 02

    Block in the background with a muted, mid-tone color.

  3. step 03

    Establish the main value ranges for the face, clothing, and hair, focusing on the overall light and shadow patterns.

  4. step 04

    Begin refining the facial features, paying close attention to the subtle shifts in color and value.

  5. step 05

    Develop the details of the clothing, including the folds, buttons, and lace, using a combination of layering and blending techniques.

  6. step 06

    Render the hair with careful attention to the individual strands and curls, using a variety of light and dark tones.

  7. step 07

    Add the details of the chair and book, including the ornate embellishments and textures.

  8. step 08

    Make final adjustments to the overall composition, ensuring that the values and colors are balanced and harmonious.

color palette

primary · ivory black · titanium white · raw umber · yellow ochre

secondary · Prussian blue · burnt sienna · cadmium yellow light

Achieve skin tones by mixing white, yellow ochre, and a touch of burnt sienna. Use ivory black and raw umber for the dark clothing, adding white for highlights. Mix Prussian blue with white for the sash.

techniques

  • ·portraiture
  • ·blending
  • ·layering
  • ·rendering fabric
  • ·hatching

common pitfalls

  • →Inaccurate proportions of the figure.
  • →Overly harsh or muddy color mixtures.
  • →Insufficient attention to the subtle value shifts in the face.
  • →Neglecting the details of the clothing and hair.

materials

surface · stretched canvas

required

  • ·Stretched canvas (18x24 inches)
  • ·Oil paints (ivory black, titanium white, raw umber, yellow ochre, burnt sienna, Prussian blue)
  • ·Assorted brushes (round and flat, sizes 2-8)
  • ·Palette
  • ·Palette knife
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a toned canvas to simplify the initial blocking-in stage.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Louis XV, King of France

Louis XV, King of France

Charles-Andre van Loo (Carle van Loo)

William James

William James

Joshua Reynolds

Wooded Landscape with Gypsies, Evening

Wooded Landscape with Gypsies, Evening

George Lambert

Head of a Scholar

Head of a Scholar

Giovanni Domenico Tiepolo

Gentleman and Wife

Gentleman and Wife

William Williams

Portrait of Antoine Watteau

Portrait of Antoine Watteau

Rosalba Carriera

Portrait of Henriette of France, daughter of Louis XV

Portrait of Henriette of France, daughter of Louis XV

Jean-Étienne Liotard

Mr. John Williams

Mr. John Williams

Benjamin West