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home·artworks·Portrait of Mrs. Drummond
Portrait of Mrs. Drummond by Thomas Gainsborough

plate no. 2452

Portrait of Mrs. Drummond

Thomas Gainsborough

oil, canvasRococoportraitportraitfiguredressbackgroundsculpturedrawing
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering fabric textures. It also provides practice in creating subtle color variations and atmospheric perspective.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the main shapes and proportions of the figure and background elements.

  2. step 02

    Establish the dark background using thin washes of brown and black, gradually building up depth.

  3. step 03

    Block in the main areas of the dress with light pink and white, paying attention to the folds and drapery.

  4. step 04

    Begin to develop the skin tones, using a limited palette of white, red, yellow, and brown, and blending carefully.

  5. step 05

    Add details to the face, focusing on capturing the likeness and expression of the sitter.

  6. step 06

    Render the details of the dress, including the lace, pearls, and gold trim, using small brushes and precise strokes.

  7. step 07

    Paint the still life elements, such as the sculpture and drawing, paying attention to their form and texture.

  8. step 08

    Add final highlights and shadows to create depth and dimension, and refine the overall composition.

color palette

primary · titanium white · ivory black · cadmium red light · yellow ochre

secondary · burnt umber · raw sienna · ultramarine blue

Achieve skin tones by mixing white, red, yellow ochre, and a touch of brown. Create the dress colors by mixing white with small amounts of red, yellow, and blue. Use glazes to create depth and luminosity.

techniques

  • ·portraiture
  • ·fabric rendering
  • ·glazing
  • ·blending
  • ·chiaroscuro

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the skin tones and losing the freshness of the paint.
  • →Failing to capture the likeness of the sitter.
  • →Not creating enough depth in the background.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·cadmium red light oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·raw sienna oil paint

Use high-quality oil paints for best results. Prepare the canvas with gesso before painting.

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