
plate no. 2646
Georges Lemmen, 1893
Recreating this painting will help students understand color mixing for skin tones and learn the pointillism technique of applying small dots of color to create an image. It also provides practice in portrait composition and capturing likeness.
technical profile
approach — 8 steps
Sketch the basic shapes and proportions of the figure and background.
Establish the main light and shadow areas with a thin wash of a neutral color.
Begin applying small dots of color, starting with the background.
Focus on building up the color gradually, layering different hues to create depth and dimension.
Pay close attention to the color temperature and how it changes across the figure and background.
Refine the details of the face and clothing, using smaller dots of color to create subtle variations in tone.
Add highlights and shadows to enhance the form and create a sense of realism.
Step back and assess the overall composition, making any necessary adjustments to the color or value.
color palette
primary · yellow ochre · ultramarine blue · alizarin crimson · titanium white
secondary · cadmium yellow · burnt umber · violet
Mix skin tones using white, yellow ochre, alizarin crimson, and a touch of ultramarine blue. Create the purplish shadows in the dress by mixing ultramarine blue and alizarin crimson. Achieve the golden background by layering yellow ochre, cadmium yellow, and burnt umber.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. Small, round brushes are essential for creating the pointillist effect. A smooth canvas surface will make it easier to apply the dots of color.
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