apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of Mme Lemmen
Portrait of Mme Lemmen by Georges Lemmen

plate no. 2646

Portrait of Mme Lemmen

Georges Lemmen, 1893

oilPointillismportraitportraitfigureindoorchairwindow
some experience helpful

Recreating this painting will help students understand color mixing for skin tones and learn the pointillism technique of applying small dots of color to create an image. It also provides practice in portrait composition and capturing likeness.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure and background.

  2. step 02

    Establish the main light and shadow areas with a thin wash of a neutral color.

  3. step 03

    Begin applying small dots of color, starting with the background.

  4. step 04

    Focus on building up the color gradually, layering different hues to create depth and dimension.

  5. step 05

    Pay close attention to the color temperature and how it changes across the figure and background.

  6. step 06

    Refine the details of the face and clothing, using smaller dots of color to create subtle variations in tone.

  7. step 07

    Add highlights and shadows to enhance the form and create a sense of realism.

  8. step 08

    Step back and assess the overall composition, making any necessary adjustments to the color or value.

color palette

primary · yellow ochre · ultramarine blue · alizarin crimson · titanium white

secondary · cadmium yellow · burnt umber · violet

Mix skin tones using white, yellow ochre, alizarin crimson, and a touch of ultramarine blue. Create the purplish shadows in the dress by mixing ultramarine blue and alizarin crimson. Achieve the golden background by layering yellow ochre, cadmium yellow, and burnt umber.

techniques

  • ·pointillism
  • ·color layering
  • ·color mixing
  • ·portrait drawing
  • ·scumbling

common pitfalls

  • →Applying dots too uniformly, resulting in a flat and lifeless image.
  • →Using colors straight from the tube without mixing, leading to a harsh and unnatural look.
  • →Losing the overall form and structure of the figure in the details.
  • →Ignoring the color temperature and how it affects the mood of the painting.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·small round brushes (#0, #1, #2)
  • ·palette
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use high-quality oil paints for best results. Small, round brushes are essential for creating the pointillist effect. A smooth canvas surface will make it easier to apply the dots of color.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Family Gathering in Saint Idesbald

Family Gathering in Saint Idesbald

Georges Lemmen

Ponte San Trovaso

Ponte San Trovaso

Henri-Edmond Cross

Sunday

Sunday

Paul Signac

Couple in the street

Couple in the street

Charles Angrand

Margery

Margery

Theo van Rysselberghe

Still Life with Pitcher and Vase of Flowers

Still Life with Pitcher and Vase of Flowers

Hippolyte Petitjean

The Two Sisters

The Two Sisters

Georges Lemmen

Les Petits, Montagnes Mauresques

Les Petits, Montagnes Mauresques

Henri-Edmond Cross