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home·artworks·Portrait of Mme. Chardin (nee Françoise Marguerite Pouget)
Portrait of Mme. Chardin (nee Françoise Marguerite Pouget) by Jean-Baptiste-Simeon Chardin

plate no. 9571

Portrait of Mme. Chardin (nee Françoise Marguerite Pouget)

Jean-Baptiste-Simeon Chardin, 1775

pastel, paperRococoportraitportraitfigurewomanclothingheadscarfbow
some experience helpful

Recreating this painting will help students develop skills in portraiture, specifically in rendering skin tones and soft fabric textures. It also provides practice in creating subtle value gradations to suggest form.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the overall composition, paying attention to proportions and placement of features.

  2. step 02

    Block in the main areas of color: skin, headscarf, clothing, and background.

  3. step 03

    Begin layering and blending colors to create smooth transitions in the skin tones.

  4. step 04

    Add details to the face, focusing on the eyes, nose, and mouth.

  5. step 05

    Work on the headscarf, paying attention to the folds and highlights.

  6. step 06

    Refine the clothing, adding shadows and details.

  7. step 07

    Adjust the background to create depth and contrast.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · titanium white · raw umber · cadmium red light · ivory black

secondary · ultramarine blue · yellow ochre · burnt sienna

Skin tones are achieved by mixing white, red, yellow ochre, and a touch of raw umber. The background is a mix of black, umber, and blue. The headscarf uses white with hints of blue and gray.

techniques

  • ·blending
  • ·layering
  • ·scumbling
  • ·value shading
  • ·color mixing

common pitfalls

  • →Overworking the skin tones and creating a muddy effect.
  • →Failing to capture the subtle value changes in the face.
  • →Ignoring the proportions of the facial features.
  • →Using too much detail too early in the process.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·set of brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·rags
  • ·pencil

optional

  • ·medium gloss
  • ·easel
  • ·color chart

Use a medium-grain canvas for best results. If using acrylics, consider a slow-drying medium to allow for more blending time.

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