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home·artworks·Portrait of Mehemet Said Pacha, Bey of Rumelia, special ambassador of the ottoman Sultan Mahmoud II
Portrait of Mehemet Said Pacha, Bey of Rumelia, special ambassador of the ottoman Sultan Mahmoud II by Jacques Aved

plate no. 2585

Portrait of Mehemet Said Pacha, Bey of Rumelia, special ambassador of the ottoman Sultan Mahmoud II

Jacques Aved

oilRococoportraitportraitfigureclothingfurniturebookscityscape
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering complex fabrics and textures. It also provides practice in creating depth and atmosphere through subtle value changes.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figure and surrounding elements.

  2. step 02

    Block in the main shapes and colors using thin washes of paint.

  3. step 03

    Develop the background and cityscape, focusing on creating a sense of depth and atmosphere.

  4. step 04

    Refine the figure's face and hands, paying close attention to capturing the likeness and expression.

  5. step 05

    Add details to the clothing and accessories, such as the turban, robe, and jewelry.

  6. step 06

    Work on the furniture and books, rendering the textures and details accurately.

  7. step 07

    Adjust the values and colors throughout the painting to create a harmonious and balanced composition.

  8. step 08

    Add final highlights and details to bring the painting to life.

color palette

primary · burnt umber · yellow ochre · titanium white · cadmium red

secondary · ultramarine blue · viridian green · ivory black

Achieve the skin tones by mixing yellow ochre, cadmium red, and titanium white, with small amounts of burnt umber and ultramarine blue for shadows. Mix burnt umber and ivory black for dark areas. Use glazes of ultramarine blue and burnt umber to create depth in the shadows.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·portraiture
  • ·fabric rendering

common pitfalls

  • →Getting the proportions of the figure wrong
  • →Oversimplifying the details of the clothing and accessories
  • →Failing to create a sense of depth and atmosphere
  • →Using colors that are too saturated or unrealistic

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Prepare the canvas with gesso before painting.

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