apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of Maurice Dériaz
Portrait of Maurice Dériaz by Gustave-Claude-Etienne Courtois

plate no. 7223

Portrait of Maurice Dériaz

Gustave-Claude-Etienne Courtois, 1906

oilAcademicismportraitfigureportraitmaletorsoskin tonesfabric
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in rendering realistic skin tones and capturing subtle variations in light and shadow. It also provides practice in depicting anatomical forms and fabric folds.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the figure's pose and proportions on the canvas.

  2. step 02

    Block in the background with a dark, muted color.

  3. step 03

    Establish the basic skin tones using a limited palette of warm and cool colors.

  4. step 04

    Begin layering and blending the skin tones to create smooth transitions and subtle variations in value.

  5. step 05

    Pay close attention to the light source and accurately depict the highlights and shadows on the figure's body.

  6. step 06

    Refine the details of the face, including the eyes, nose, and mouth.

  7. step 07

    Paint the fabric, paying attention to the folds and drapery.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · titanium white · raw umber · burnt sienna · yellow ochre

secondary · ultramarine blue · ivory black · cadmium red light

Skin tones are achieved by mixing white, umber, sienna, and a touch of red. Blue and black are used to create cool shadows. The fabric is a mix of white and blue with hints of grey.

techniques

  • ·portraiture
  • ·glazing
  • ·blending
  • ·chiaroscuro
  • ·scumbling

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Failing to accurately capture the proportions of the figure.
  • →Ignoring the subtle variations in skin tone.
  • →Creating harsh lines instead of smooth transitions.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·selection of brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·mahl stick

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for blending.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of a Young Woman

Portrait of a Young Woman

George Demetrescu Mirea

My daughters, Eva and Jeanne

My daughters, Eva and Jeanne

Diogène Maillart

The Reluctant Bride

The Reluctant Bride

Auguste Toulmouche

The Proposal

The Proposal

Wladyslaw Czachorski

The Dressing Room

The Dressing Room

Henri-Pierre Picou

Girl with pinks

Girl with pinks

Wladyslaw Czachorski

Self-Portrait

Self-Portrait

George Demetrescu Mirea

The age

The age

Ludwig Knaus