apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of Mary Pixtons
Portrait of Mary Pixtons by James Sharples

plate no. 0430

Portrait of Mary Pixtons

James Sharples

oilRococoportraitportraitfiguredresslacehead coveringfemale
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and subtle blending of skin tones. It will also provide practice in rendering delicate fabrics and textures.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, shoulders, and dress.

  2. step 02

    Block in the background with a thin, even layer of color.

  3. step 03

    Establish the main skin tones, paying attention to highlights and shadows.

  4. step 04

    Begin layering and blending the skin tones to create a smooth, realistic effect.

  5. step 05

    Paint the dress, focusing on the folds and drapery.

  6. step 06

    Carefully render the lace head covering, paying attention to the intricate details.

  7. step 07

    Add details to the face, such as the eyes, nose, and mouth.

  8. step 08

    Refine the overall painting, adjusting values and adding final touches.

color palette

primary · titanium white · ivory black · yellow ochre · burnt sienna

secondary · ultramarine blue · alizarin crimson

Achieve skin tones by mixing white, yellow ochre, burnt sienna, and small amounts of red and blue. Use white with a touch of blue for the background. Mix white with small amounts of black and yellow ochre for the dress and lace.

techniques

  • ·portrait sketching
  • ·glazing
  • ·blending
  • ·rendering fabric
  • ·creating soft edges

common pitfalls

  • →Inaccurate proportions in the initial sketch.
  • →Overblending, resulting in a muddy or lifeless effect.
  • →Difficulty capturing the delicate details of the lace.
  • →Harsh lines around the facial features.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·ultramarine blue oil paint
  • ·alizarin crimson oil paint
  • ·assorted round and flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use high-quality oil paints for best results. A smooth canvas is recommended for achieving the soft, blended effect.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Louis XV, King of France

Louis XV, King of France

Charles-Andre van Loo (Carle van Loo)

William James

William James

Joshua Reynolds

Wooded Landscape with Gypsies, Evening

Wooded Landscape with Gypsies, Evening

George Lambert

Head of a Scholar

Head of a Scholar

Giovanni Domenico Tiepolo

Gentleman and Wife

Gentleman and Wife

William Williams

Portrait of Antoine Watteau

Portrait of Antoine Watteau

Rosalba Carriera

Portrait of Henriette of France, daughter of Louis XV

Portrait of Henriette of France, daughter of Louis XV

Jean-Étienne Liotard

Mr. John Williams

Mr. John Williams

Benjamin West