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home·artworks·Portrait of Marthe Marie Tronchin
Portrait of Marthe Marie Tronchin by Jean-Étienne Liotard

plate no. 0823

Portrait of Marthe Marie Tronchin

Jean-Étienne Liotard, 1758

pastelRococoportraitportraitfigureclothinglaceheadwearfur
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions, subtle skin tone variations, and rendering of delicate textures like lace and fur. It also provides practice in creating soft, diffused lighting and capturing a likeness.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, focusing on the head and shoulders.

  2. step 02

    Establish the background color with a thin, even layer of pastel.

  3. step 03

    Block in the main areas of color on the face, using light and shadow to define the form.

  4. step 04

    Begin layering and blending pastels to create smooth transitions in skin tone.

  5. step 05

    Add details to the face, such as the eyes, nose, and mouth, paying close attention to their placement and shape.

  6. step 06

    Render the clothing, starting with the darkest areas and gradually adding lighter tones.

  7. step 07

    Carefully depict the lace and fur, using small, precise strokes to capture their texture.

  8. step 08

    Refine the details and make any necessary adjustments to the composition.

color palette

primary · titanium white · raw umber · cadmium red light · ivory black

secondary · ultramarine blue · yellow ochre · burnt sienna

Achieve skin tones by mixing white, red, umber, and a touch of yellow ochre. Use blue and white for the ribbons, and black and white for the fur.

techniques

  • ·blending
  • ·layering
  • ·scumbling
  • ·hatching
  • ·portraiture

common pitfalls

  • →Getting the proportions wrong, especially in the face.
  • →Overworking the pastels and creating a muddy effect.
  • →Failing to capture the subtle variations in skin tone.
  • →Making the lace and fur look flat and lifeless.

materials

surface · Pastel paper (toned)

required

  • ·Pastel set (soft and hard)
  • ·Pastel pencils
  • ·Pastel paper (toned)
  • ·Kneaded eraser
  • ·Blending stumps
  • ·Fixative spray
  • ·Drawing board
  • ·Reference photo

optional

  • ·Palette knife
  • ·Workable fixative
  • ·Glassine paper

Choose a pastel paper with a slightly textured surface to grip the pastel. A toned paper will make it easier to establish the values.

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