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home·artworks·Portrait of Marie Leszczyńska, Queen of France
Portrait of Marie Leszczyńska, Queen of France by Charles-Andre van Loo (Carle van Loo)

plate no. 1257

Portrait of Marie Leszczyńska, Queen of France

Charles-Andre van Loo (Carle van Loo)

oil, canvasRococoportraitportraitfiguredresscurtaincrownbackground
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering complex fabrics and textures. It also provides practice in creating depth and atmosphere through subtle color variations and soft blending.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the figure's pose and the placement of key elements like the curtain and crown.

  2. step 02

    Establish the background with broad, blended strokes of blues, grays, and browns.

  3. step 03

    Block in the main shapes of the figure, including the dress, cloak, and skin tones.

  4. step 04

    Begin layering colors to define the folds and textures of the dress and cloak, paying attention to light and shadow.

  5. step 05

    Refine the facial features, focusing on accurate proportions and subtle shading.

  6. step 06

    Add details to the crown and other accessories, using small brushes and precise strokes.

  7. step 07

    Glaze thin layers of color to unify the painting and enhance the overall atmosphere.

  8. step 08

    Add final highlights and shadows to create a sense of depth and realism.

color palette

primary · ultramarine blue · burnt umber · titanium white · cadmium red

secondary · yellow ochre · ivory black · gold

Achieve the dress's gold tones by mixing burnt umber, yellow ochre, and a touch of cadmium red. Create the blue cloak by mixing ultramarine blue with white and a touch of black for shadows.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·blending
  • ·rendering fabric

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the details too early in the process.
  • →Failing to create a sense of depth and atmosphere.
  • →Using colors that are too saturated or unnatural.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints (ultramarine blue, burnt umber, titanium white, cadmium red, yellow ochre, ivory black)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round, flat, filbert)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Consider using a toned canvas to create a warmer base for the painting.

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oil painting for beginners →how to learn by studying the masters →
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