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home·artworks·Portrait of Marie d’Agoult
Portrait of Marie d’Agoult by Henri Lehmann

plate no. 1994

Portrait of Marie d’Agoult

Henri Lehmann, 1843

oil, canvasRomanticismportraitportraitfigureclothinghairbackgroundlandscape
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and subtle skin tone variations. It also provides practice in rendering textures like fur and fabric.

technical profile

palette complexity
4
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the oval composition and the figure's pose, paying attention to proportions.

  2. step 02

    Block in the main areas of color: skin tones, hair, background, and clothing.

  3. step 03

    Begin layering and blending skin tones, focusing on subtle value changes to create form.

  4. step 04

    Develop the background with soft, blended brushstrokes to create atmospheric perspective.

  5. step 05

    Add details to the hair, including braids and the decorative headpiece.

  6. step 06

    Render the fur shawl, using short, directional brushstrokes to simulate texture.

  7. step 07

    Paint the details of the clothing, including the lace and folds of fabric.

  8. step 08

    Add final highlights and shadows to refine the form and create depth.

color palette

primary · titanium white · raw umber · ivory black · cadmium red light

secondary · yellow ochre · ultramarine blue · burnt sienna

Mix skin tones using white, raw umber, a touch of cadmium red, and a hint of yellow ochre. Create darker tones by adding ivory black and burnt sienna. Achieve the background colors by mixing ultramarine blue, raw umber, and white.

techniques

  • ·portraiture
  • ·blending
  • ·scumbling
  • ·glazing
  • ·rendering fur texture

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Neglecting subtle value changes in skin tones, leading to a flat appearance.
  • →Oversimplifying the fur texture, making it look unrealistic.
  • →Inaccurate proportions in the initial sketch.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inch oval)
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·ivory black oil paint
  • ·cadmium red light oil paint
  • ·yellow ochre oil paint
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. A pre-primed canvas is recommended.

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oil painting for beginners →how to learn by studying the masters →
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