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home·artworks·Portrait of Marie-Antoinette Queen of France in crimson dress holding a book
Portrait of Marie-Antoinette Queen of France in crimson dress holding a book by Louise Elisabeth Vigee Le Brun

plate no. 2489

Portrait of Marie-Antoinette Queen of France in crimson dress holding a book

Louise Elisabeth Vigee Le Brun

oilRococoportraitportraitfiguredresslacebookpillow
experienced study

Recreating this painting will help students develop skills in portraiture, including accurate proportions and capturing likeness, as well as techniques for rendering fabric and delicate details like lace.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figure.

  2. step 02

    Block in the main shapes and colors of the background, dress, and skin tones.

  3. step 03

    Refine the facial features, paying close attention to the eyes, nose, and mouth.

  4. step 04

    Develop the details of the dress, including the folds, shadows, and highlights.

  5. step 05

    Paint the lace and other intricate details, using fine brushes and careful strokes.

  6. step 06

    Add the book and pillow, paying attention to their textures and colors.

  7. step 07

    Refine the overall painting, adjusting values and colors as needed.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · crimson red · ivory white · gold · grey

secondary · burnt umber · sap green · rose madder

Mix skin tones using ivory white, rose madder, and a touch of yellow ochre. Achieve the crimson red by mixing alizarin crimson with a touch of burnt sienna. Create the grey background by mixing ivory white and burnt umber.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·rendering fabric
  • ·chiaroscuro

common pitfalls

  • →Inaccurate proportions of the figure.
  • →Difficulty capturing the likeness of the subject.
  • →Overworking the details, resulting in a stiff or unnatural appearance.
  • →Failing to create a sense of depth and dimension.

materials

surface · stretched canvas

required

  • ·Stretched canvas (18x24 inches)
  • ·Oil paints (crimson red, ivory white, gold, grey, burnt umber, sap green, rose madder)
  • ·Assorted brushes (round, flat, filbert)
  • ·Palette
  • ·Palette knife
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Soft cloths

optional

  • ·Retouch varnish
  • ·Medium gloss
  • ·Easel

Use high-quality oil paints for best results. Prepare the canvas with gesso before painting.

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