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home·artworks·Portrait of Maria Luisa of Spain, Wife of Holy Roman Emperor Leopold II
Portrait of Maria Luisa of Spain, Wife of Holy Roman Emperor Leopold II by Jean-Étienne Liotard

plate no. 4310

Portrait of Maria Luisa of Spain, Wife of Holy Roman Emperor Leopold II

Jean-Étienne Liotard, 1789

oilRococoportraitportraitfiguredressjewelrylacehair
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and subtle skin tone variations. It also provides practice in rendering fine details like lace and jewelry.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and torso.

  2. step 02

    Establish the background color with a thin, even wash.

  3. step 03

    Block in the main areas of color for the skin, hair, and dress, paying attention to the overall value structure.

  4. step 04

    Begin refining the skin tones with subtle gradations of color, focusing on the highlights and shadows.

  5. step 05

    Add details to the hair, using small brushstrokes to create texture and volume.

  6. step 06

    Paint the dress, focusing on the folds and highlights to create a sense of depth.

  7. step 07

    Carefully render the lace and jewelry, paying attention to the intricate details and textures.

  8. step 08

    Add final highlights and shadows to refine the overall composition.

color palette

primary · titanium white · yellow ochre · raw umber · ivory black

secondary · cadmium red light · ultramarine blue · burnt sienna

Achieve skin tones by mixing white, yellow ochre, and a touch of red and umber. Use ultramarine blue and ivory black to create cool shadows. Mix yellow ochre and white for the dress.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·blending
  • ·rendering lace

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the skin tones and creating a muddy effect.
  • →Failing to capture the subtle nuances of light and shadow.
  • →Losing patience when rendering the intricate details of the lace and jewelry.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·soft cloth

optional

  • ·retouch varnish
  • ·drying medium
  • ·easel

Use high-quality oil paints for best results. Consider using a medium to speed up drying time.

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oil painting for beginners →how to learn by studying the masters →
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