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home·artworks·Portrait of Marc Chagall
Portrait of Marc Chagall by Marevna (Marie Vorobieff)

plate no. 9966

Portrait of Marc Chagall

Marevna (Marie Vorobieff), 1956

oilCubismportraitportraitfiguremancubismclothinghair
some experience helpful

Recreating this painting will help students understand how to simplify complex forms into geometric shapes and practice using a limited color palette to create a cohesive portrait. It also encourages experimentation with light and shadow to define form within a cubist style.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the face, hair, and clothing, focusing on geometric simplification.

  2. step 02

    Divide the face into planes using straight lines to define areas of light and shadow.

  3. step 03

    Block in the background with a light gray wash, creating subtle radial gradients.

  4. step 04

    Apply the base colors for the skin tones, hair, and clothing, keeping the colors muted and desaturated.

  5. step 05

    Add shadows to the face and clothing using darker shades of gray and brown, following the planes you defined earlier.

  6. step 06

    Paint the plaid shirt, carefully creating the pattern with thin lines and alternating colors.

  7. step 07

    Refine the details of the eyes, mouth, and hair, adding highlights and subtle variations in color.

  8. step 08

    Outline key shapes with thin dark lines to enhance the cubist effect.

color palette

primary · gray · yellow ochre · burnt umber

secondary · white · red oxide

Mix various shades of gray by combining white and burnt umber. Achieve the skin tones by mixing gray with a touch of yellow ochre and red oxide. The yellow jacket is primarily yellow ochre, lightened with white.

techniques

  • ·geometric simplification
  • ·planar shading
  • ·limited palette
  • ·dry brushing
  • ·linear outlining

common pitfalls

  • →Overcomplicating the shapes
  • →Using too many colors
  • →Ignoring the light source
  • →Creating muddy colors by over-mixing
  • →Not defining the planes clearly enough

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·graphite pencil
  • ·white acrylic paint
  • ·yellow ochre acrylic paint
  • ·burnt umber acrylic paint
  • ·red oxide acrylic paint
  • ·various sized brushes

optional

  • ·palette knife
  • ·ruler
  • ·medium gloss

Use acrylic paints for faster drying time. A canvas with a smooth surface will be easier to work with for the geometric shapes.

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oil painting for beginners →how to learn by studying the masters →
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