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home·artworks·Portrait of Mademoiselle Louise Mares
Portrait of Mademoiselle Louise Mares by Alexandre Cabanel

plate no. 8934

Portrait of Mademoiselle Louise Mares

Alexandre Cabanel, 1851

oilAcademicismportraitportraitfiguredresslandscapeskyflowers
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as practicing soft blending techniques to achieve a smooth, classical finish.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure and background elements.

  2. step 02

    Establish the background with broad strokes, blending the sky and foliage.

  3. step 03

    Block in the main shapes of the figure, paying attention to the folds and drapery of the dress.

  4. step 04

    Begin refining the facial features, focusing on accurate proportions and subtle value changes.

  5. step 05

    Develop the details of the dress, including the lace and ribbon, using lighter values and delicate brushstrokes.

  6. step 06

    Add details to the background elements, such as the flowers and foliage, using a variety of greens and reds.

  7. step 07

    Refine the overall composition, adjusting values and adding highlights to create depth and dimension.

  8. step 08

    Add final details and glazes to achieve a polished, classical finish.

color palette

primary · titanium white · ivory black · yellow ochre · raw umber

secondary · alizarin crimson · cerulean blue · sap green

Achieve skin tones by mixing white, yellow ochre, and a touch of red and umber. Use blue and white for the sky, and mix greens with yellow ochre, blue, and a touch of umber for the foliage.

techniques

  • ·portraiture
  • ·blending
  • ·glazing
  • ·scumbling
  • ·underpainting

common pitfalls

  • →Incorrect proportions of the figure
  • →Overly harsh blending, resulting in a flat appearance
  • →Inaccurate skin tones
  • →Neglecting subtle value changes in the dress

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·#2 round brush
  • ·#6 flat brush
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·alizarin crimson oil paint
  • ·raw umber oil paint

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a toned canvas to establish a base value.

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oil painting for beginners →how to learn by studying the masters →
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