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home·artworks·Portrait of Madame Marthe
Portrait of Madame Marthe by Hippolyte Petitjean

plate no. 2735

Portrait of Madame Marthe

Hippolyte Petitjean, 1899

oilPointillismportraitportraitfiguredresswomanchairhair
some experience helpful

Recreating this painting will help students understand color mixing to achieve subtle variations and practice applying pointillist brushstrokes to build form and texture. It will also improve their understanding of portraiture and rendering fabric.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure and chair.

  2. step 02

    Establish the background color with a base layer.

  3. step 03

    Begin applying small, individual brushstrokes of color to build up the background texture.

  4. step 04

    Mix skin tones and apply similar pointillist strokes to the face and arms, paying attention to highlights and shadows.

  5. step 05

    Paint the dress using a range of purples and whites, following the folds and drapery.

  6. step 06

    Render the chair with reds, oranges, and browns, adding highlights to the armrest.

  7. step 07

    Refine the details of the face and hair, adding darker tones for definition.

  8. step 08

    Adjust colors and values as needed to achieve a cohesive and harmonious effect.

color palette

primary · titanium white · ultramarine blue · cadmium red light · yellow ochre

secondary · viridian · alizarin crimson

Mix purples for the dress by combining ultramarine blue and alizarin crimson with white. Achieve skin tones by blending cadmium red light, yellow ochre, and white, with small amounts of blue or green for shadows. Create the background by layering small strokes of all colors.

techniques

  • ·pointillism
  • ·color mixing
  • ·layering
  • ·portraiture
  • ·rendering fabric

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Applying brushstrokes too uniformly, losing the textured effect.
  • →Ignoring the subtle color variations in the skin tones.
  • →Failing to capture the correct proportions of the figure.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·cadmium red light oil paint
  • ·yellow ochre oil paint
  • ·small round brushes (sizes 0-2)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. A smooth canvas surface is recommended for pointillism.

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