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home·artworks·Portrait of Madame Maria Zeffirina
Portrait of Madame Maria Zeffirina by Jean-Marc Nattier

plate no. 2837

Portrait of Madame Maria Zeffirina

Jean-Marc Nattier, 1751

oilRococoportraitportraitchilddoglacedraperypillow
experienced study

Recreating this painting will help students develop skills in portraiture, rendering delicate fabrics, and creating depth through subtle value changes. It also provides practice in capturing the likeness of both human and animal subjects.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch, focusing on accurate proportions and placement of the figure, dog, and background elements.

  2. step 02

    Establish the overall color scheme by applying thin washes of color to the canvas.

  3. step 03

    Begin blocking in the main shapes and values of the background drapery, gradually building up layers of color.

  4. step 04

    Focus on the child's face, carefully rendering the skin tones and facial features with soft, blended brushstrokes.

  5. step 05

    Paint the dog, paying attention to its anatomy, fur texture, and expression.

  6. step 06

    Render the lace details of the dress and headdress, using fine brushes and delicate brushstrokes.

  7. step 07

    Add highlights and shadows to create depth and dimension in the drapery and other elements.

  8. step 08

    Refine the details and make any necessary adjustments to the composition and color balance.

color palette

primary · ivory black · raw umber · titanium white · yellow ochre

secondary · alizarin crimson · ultramarine blue · burnt sienna

Achieve skin tones by mixing titanium white, yellow ochre, and a touch of alizarin crimson. Create the dark browns for the dog and background by mixing burnt sienna, ivory black, and ultramarine blue.

techniques

  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro
  • ·rendering lace

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated or intense.
  • →Losing the likeness of the subject.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·painting medium
  • ·easel

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

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