
plate no. 9354
Jean-Étienne Liotard, 1759
Recreating this painting will develop skills in portraiture, including capturing likeness and rendering fabric textures. Students will also learn about color mixing to achieve subtle skin tones and fabric folds.
technical profile
approach — 8 steps
Begin with a light sketch outlining the figure's pose and proportions.
Establish the background with a thin wash of muted browns and grays.
Block in the main shapes of the dress and chair using simplified color masses.
Develop the skin tones by layering light and shadow, paying attention to subtle color variations.
Render the details of the lace and fabric folds, using highlights and shadows to create depth.
Add details to the face, focusing on capturing the likeness and expression.
Refine the details of the book and hands.
Add final highlights and shadows to enhance the overall realism.
color palette
primary · Prussian blue · Titanium white · Burnt umber
secondary · Yellow ochre · Ivory black · Rose madder
Mix Prussian blue and white for the dress, varying the ratio for lighter and darker shades. Use burnt umber and white for the background, adding small amounts of yellow ochre or rose madder to warm the tones. Skin tones are achieved by mixing white, yellow ochre, rose madder, and a touch of burnt umber.
techniques
common pitfalls
surface · Stretched canvas
required
optional
Use a medium-tooth canvas for better texture. Consider using a toned canvas for a more traditional look.
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