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home·artworks·Portrait of Louise D'épinay
Portrait of Louise D'épinay by Jean-Étienne Liotard

plate no. 9354

Portrait of Louise D'épinay

Jean-Étienne Liotard, 1759

pastelRococoportraitfigureportraitdresslacebookchair
some experience helpful

Recreating this painting will develop skills in portraiture, including capturing likeness and rendering fabric textures. Students will also learn about color mixing to achieve subtle skin tones and fabric folds.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the figure's pose and proportions.

  2. step 02

    Establish the background with a thin wash of muted browns and grays.

  3. step 03

    Block in the main shapes of the dress and chair using simplified color masses.

  4. step 04

    Develop the skin tones by layering light and shadow, paying attention to subtle color variations.

  5. step 05

    Render the details of the lace and fabric folds, using highlights and shadows to create depth.

  6. step 06

    Add details to the face, focusing on capturing the likeness and expression.

  7. step 07

    Refine the details of the book and hands.

  8. step 08

    Add final highlights and shadows to enhance the overall realism.

color palette

primary · Prussian blue · Titanium white · Burnt umber

secondary · Yellow ochre · Ivory black · Rose madder

Mix Prussian blue and white for the dress, varying the ratio for lighter and darker shades. Use burnt umber and white for the background, adding small amounts of yellow ochre or rose madder to warm the tones. Skin tones are achieved by mixing white, yellow ochre, rose madder, and a touch of burnt umber.

techniques

  • ·Layering
  • ·Blending
  • ·Scumbling
  • ·Chiaroscuro

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to capture the correct proportions of the figure.
  • →Using colors that are too saturated or intense.
  • →Ignoring the subtle color variations in the skin tones.

materials

surface · Stretched canvas

required

  • ·Stretched canvas 16x20
  • ·Acrylic or oil paints
  • ·Round brushes (sizes 2, 4, 6)
  • ·Flat brush (size 8)
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits or water (depending on paint type)
  • ·Linseed oil (if using oil paints)

optional

  • ·Medium gloss
  • ·Easel
  • ·Reference photo print

Use a medium-tooth canvas for better texture. Consider using a toned canvas for a more traditional look.

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