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home·artworks·Portrait of Louis-Michel-Victor Mercier
Portrait of Louis-Michel-Victor Mercier by Henri Lehmann

plate no. 9366

Portrait of Louis-Michel-Victor Mercier

Henri Lehmann, 1832

oilRomanticismportraitportraitfiguremanclothinghairscarf
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and capturing subtle skin tones. It also provides practice in blending and creating soft transitions between values.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the head, shoulders, and scarf.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or a similar earth tone.

  3. step 03

    Begin layering in the skin tones, starting with the mid-tones and gradually adding highlights and shadows.

  4. step 04

    Paint the hair, paying attention to the direction of the strands and the way light interacts with the curls.

  5. step 05

    Block in the dark areas of the coat and background, focusing on creating a sense of depth.

  6. step 06

    Add the details of the scarf, capturing its folds and texture.

  7. step 07

    Refine the facial features, paying close attention to the eyes, nose, and mouth.

  8. step 08

    Add final highlights and shadows to create a sense of realism and dimension.

color palette

primary · titanium white · ivory black · burnt umber · cadmium red

secondary · yellow ochre · raw sienna

Mix skin tones using titanium white, cadmium red, yellow ochre, and a touch of burnt umber. Achieve darker values by adding ivory black or burnt umber to the base colors.

techniques

  • ·portraiture
  • ·blending
  • ·value study
  • ·layering
  • ·scumbling

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the skin tones and creating a muddy effect.
  • →Failing to capture the subtle variations in value.
  • →Ignoring the direction of the light and creating flat, lifeless forms.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·burnt umber oil paint
  • ·cadmium red oil paint
  • ·yellow ochre oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·raw sienna oil paint

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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