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home·artworks·Portrait of Louis De Rouvroy, Duke of Saint-simon, Knight of the King of France's Orders in 1728
Portrait of Louis De Rouvroy, Duke of Saint-simon, Knight of the King of France's Orders in 1728 by Jean-Baptiste van Loo

plate no. 3832

Portrait of Louis De Rouvroy, Duke of Saint-simon, Knight of the King of France's Orders in 1728

Jean-Baptiste van Loo

oilRococoportraitportraitfigureclothinghairarmorhistorical
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering fabric textures. It also provides practice in creating subtle value gradations for realistic skin tones and clothing folds.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure and key elements.

  2. step 02

    Establish the background with a thin wash of muted earth tones.

  3. step 03

    Block in the main shapes of the figure, including the face, hair, and clothing, using simplified color masses.

  4. step 04

    Begin refining the facial features, paying close attention to light and shadow to create form.

  5. step 05

    Develop the details of the clothing, including the fur trim and armor, using layering and glazing techniques.

  6. step 06

    Add highlights and shadows to create depth and dimension in the hair and clothing.

  7. step 07

    Refine the background and add any final details, such as the emblem in the upper left corner.

  8. step 08

    Apply a final glaze to unify the painting and enhance the colors.

color palette

primary · ivory black · raw umber · titanium white · ultramarine blue

secondary · cadmium red light · yellow ochre · burnt sienna

Mix various shades of skin tones using white, yellow ochre, cadmium red, and a touch of raw umber. Achieve the blue of the robe by mixing ultramarine blue with white and a touch of black for darker shades.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·blending
  • ·layering

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated or bright.
  • →Losing the likeness of the subject.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round, flat, filbert)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·retouch varnish
  • ·medium gel

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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