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home·artworks·Portrait of Lord John Townshend
Portrait of Lord John Townshend by Joshua Reynolds

plate no. 9937

Portrait of Lord John Townshend

Joshua Reynolds

oil, canvasRococoportraitportraitfiguremanclothinghistoricalface
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering fabric textures. It also provides practice in creating depth and form using subtle value changes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, paying attention to the head tilt and shoulder placement.

  2. step 02

    Establish the background with a dark, muted tone, leaving space for the figure.

  3. step 03

    Block in the main areas of color for the face, hair, clothing, and ruff, focusing on the overall value structure.

  4. step 04

    Refine the facial features, paying close attention to the highlights and shadows that define the form.

  5. step 05

    Develop the details of the hair, using short, broken brushstrokes to create texture.

  6. step 06

    Render the clothing, focusing on the folds and drapery, and adding highlights to the buttons.

  7. step 07

    Add details to the ruff, using small brushstrokes to create the illusion of lace.

  8. step 08

    Adjust the values and colors throughout the painting to create a sense of depth and realism.

color palette

primary · ivory black · titanium white · yellow ochre · burnt umber

secondary · cadmium yellow · alizarin crimson

Mix ivory black and burnt umber for the dark background and clothing. Use yellow ochre and titanium white for the skin tones, adding small amounts of alizarin crimson for warmth. Mix white with a touch of yellow for the ruff.

techniques

  • ·portraiture
  • ·chiaroscuro
  • ·scumbling
  • ·glazing
  • ·dry brushing

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the details too early in the process.
  • →Using colors that are too bright or saturated.
  • →Failing to create a sense of depth and form.
  • →Not capturing the likeness of the subject.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·#4 round brush
  • ·#6 filbert brush
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a canvas with a smooth surface for best results. Consider using a medium to thin the oil paints and improve flow.

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oil painting for beginners →how to learn by studying the masters →
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