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home·artworks·Portrait of Lizzie Ansingh
Portrait of Lizzie Ansingh by Thérèse Schwartze

plate no. 0071

Portrait of Lizzie Ansingh

Thérèse Schwartze, 1902

oilImpressionismportraitportraitfigurehatclothingfacehand
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and using a limited palette to create depth and form. It will also improve their understanding of brushwork and how to use it to suggest texture and light.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the figure's basic proportions and pose.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or a similar earth tone.

  3. step 03

    Block in the main color areas: skin, clothing, hat, and background.

  4. step 04

    Refine the facial features, paying close attention to the light and shadow on the face.

  5. step 05

    Develop the details of the clothing, using visible brushstrokes to suggest texture.

  6. step 06

    Add highlights and shadows to create depth and dimension.

  7. step 07

    Soften edges where needed to create a sense of atmosphere.

  8. step 08

    Add final details and adjust values as needed.

color palette

primary · burnt umber · titanium white · yellow ochre · ivory black

secondary · cadmium red · sap green

Mix skin tones using white, yellow ochre, and a touch of red and umber. Create the green by mixing yellow ochre, sap green, and a touch of umber. Use black and umber for the dark areas, lightening with white as needed.

techniques

  • ·alla prima
  • ·broken color
  • ·scumbling
  • ·chiaroscuro
  • ·limited palette

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Getting the proportions of the face wrong.
  • →Making the values too uniform and losing the sense of depth.
  • →Not capturing the likeness of the subject.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·ivory black oil paint
  • ·cadmium red oil paint
  • ·sap green oil paint
  • ·round brushes size 2, 4, and 6

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·easel

Use a medium-sized canvas, around 16x20 inches. Consider toning the canvas with a thin wash of burnt umber before starting.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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