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home·artworks·Portrait of Lady Kreismann
Portrait of Lady Kreismann by Gustave-Claude-Etienne Courtois

plate no. 1642

Portrait of Lady Kreismann

Gustave-Claude-Etienne Courtois

oilAcademicismportraitportraitwomandressjewelrydoorfigure
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones, as well as understanding how to depict fabric and textures with subtle variations in value and color.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, focusing on the overall composition.

  2. step 02

    Establish the background with broad, blended strokes of warm browns and greens.

  3. step 03

    Block in the main areas of the dress with a dark, neutral color, paying attention to the folds and shadows.

  4. step 04

    Begin layering skin tones, starting with a base of pinks and yellows, and gradually adding highlights and shadows.

  5. step 05

    Refine the details of the face, including the eyes, nose, and mouth, using small, precise brushstrokes.

  6. step 06

    Add the details of the jewelry, using thin lines and small dabs of paint to create the sparkle and shine.

  7. step 07

    Develop the textures of the dress and fur collar, using dry brush techniques and subtle color variations.

  8. step 08

    Make final adjustments to the values and colors to create a sense of depth and realism.

color palette

primary · ivory black · raw umber · titanium white

secondary · cadmium red light · yellow ochre · viridian

Achieve skin tones by mixing white, yellow ochre, and a touch of red. Darken the black dress with raw umber and a hint of blue to avoid a flat, lifeless black.

techniques

  • ·portraiture
  • ·glazing
  • ·dry brushing
  • ·blending
  • ·value studies

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the skin tones and losing the freshness.
  • →Using too much black straight from the tube.
  • →Ignoring the subtle color variations in the dress and background.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·#2 round brush
  • ·#6 flat brush
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·odorless mineral spirits

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for layering and blending.

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