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home·artworks·Portrait of Léon Bonnel
Portrait of Léon Bonnel by Diogène Maillart

plate no. 5860

Portrait of Léon Bonnel

Diogène Maillart, 1879

oil, canvasAcademicismportraitportraitmanbeardsuitchairtable
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and modeling form with subtle value changes. It also provides practice in rendering textures like fabric and hair.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure and background.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or a similar earth tone.

  3. step 03

    Block in the main areas of color, focusing on the large shapes of the background, suit, and skin tones.

  4. step 04

    Begin refining the facial features, paying close attention to the placement of the eyes, nose, and mouth.

  5. step 05

    Develop the details of the beard and hair, using small brushstrokes to create texture.

  6. step 06

    Add highlights and shadows to create depth and dimension in the suit and background.

  7. step 07

    Refine the details of the hands and any other accessories.

  8. step 08

    Add final glazes and adjustments to unify the painting and enhance the overall effect.

color palette

primary · ivory black · burnt umber · raw sienna · titanium white

secondary · cadmium red light · yellow ochre

Mix skin tones by blending white, raw sienna, and a touch of red. Create darker values by adding burnt umber or black. The background is primarily mixed from burnt umber and black, lightened with white in areas.

techniques

  • ·portraiture
  • ·glazing
  • ·value studies
  • ·blending
  • ·scumbling

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the details too early in the process.
  • →Failing to create a sense of depth and dimension.
  • →Using colors that are too saturated or unnatural.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·ivory black oil paint
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·odorless mineral spirits

Use high-quality oil paints for best results. A toned canvas can be helpful for establishing the overall value structure.

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oil painting for beginners →how to learn by studying the masters →
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