
plate no. 5860
Diogène Maillart, 1879
Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and modeling form with subtle value changes. It also provides practice in rendering textures like fabric and hair.
technical profile
approach — 8 steps
Lightly sketch the basic shapes and proportions of the figure and background.
Establish the overall value structure with a thin wash of burnt umber or a similar earth tone.
Block in the main areas of color, focusing on the large shapes of the background, suit, and skin tones.
Begin refining the facial features, paying close attention to the placement of the eyes, nose, and mouth.
Develop the details of the beard and hair, using small brushstrokes to create texture.
Add highlights and shadows to create depth and dimension in the suit and background.
Refine the details of the hands and any other accessories.
Add final glazes and adjustments to unify the painting and enhance the overall effect.
color palette
primary · ivory black · burnt umber · raw sienna · titanium white
secondary · cadmium red light · yellow ochre
Mix skin tones by blending white, raw sienna, and a touch of red. Create darker values by adding burnt umber or black. The background is primarily mixed from burnt umber and black, lightened with white in areas.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. A toned canvas can be helpful for establishing the overall value structure.
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