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home·artworks·Portrait of King Louis II of Hungary (posthumous)
Portrait of King Louis II of Hungary (posthumous) by Bernard Van Orley

plate no. 9790

Portrait of King Louis II of Hungary (posthumous)

Bernard Van Orley

oilNorthern Renaissanceportraitportraitfiguremanclothinghatjewelry
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions, skin tone mixing, and rendering of textures like fabric and metal. It also provides practice in creating a sense of depth and form through subtle value changes.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and hat.

  2. step 02

    Establish the background color with a thin, even layer of green.

  3. step 03

    Block in the main areas of color for the face, hair, clothing, and jewelry, using simplified shapes and values.

  4. step 04

    Begin refining the facial features, paying close attention to the placement and shape of the eyes, nose, and mouth.

  5. step 05

    Develop the skin tones by layering and blending different shades of warm and cool colors.

  6. step 06

    Add details to the clothing and jewelry, using highlights and shadows to create a sense of form and texture.

  7. step 07

    Refine the background, adding subtle variations in color and value to create depth.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · ivory black · raw umber · yellow ochre · titanium white

secondary · cadmium red · viridian green · gold

Achieve skin tones by mixing yellow ochre, raw umber, cadmium red, and titanium white. Use ivory black and raw umber for dark areas, and titanium white for highlights. Mix viridian green with yellow ochre and ivory black for the background.

techniques

  • ·portraiture
  • ·glazing
  • ·blending
  • ·value studies
  • ·rendering textures

common pitfalls

  • →Incorrect proportions of the face
  • →Muddy skin tones
  • →Overworking details too early
  • →Ignoring subtle value changes
  • →Flat or lifeless background

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·medium gloss
  • ·retouching varnish
  • ·easel

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for blending and layering.

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