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home·artworks·Portrait of Juan Martín
Portrait of Juan Martín by Remedios Varo

plate no. 8351

Portrait of Juan Martín

Remedios Varo, 1960

oil, canvasSurrealismportraitportraitfigureclothingheadwearman
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering fabric textures. It also provides practice in creating a sense of depth and form using subtle value changes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure and clothing.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or a similar earth tone.

  3. step 03

    Begin layering in the skin tones, paying close attention to subtle shifts in color and value.

  4. step 04

    Block in the main areas of the red headwear and clothing, focusing on the large shapes and folds.

  5. step 05

    Develop the details of the clothing pattern, using a fine brush to create the intricate designs.

  6. step 06

    Refine the facial features, adding highlights and shadows to create a sense of depth and realism.

  7. step 07

    Add the background, using a dark, muted color to create contrast with the figure.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · red · yellow ochre · ivory black · titanium white

secondary · burnt umber · raw sienna

Mix skin tones using white, yellow ochre, and a touch of red and umber. Achieve the red hues by mixing a primary red with touches of yellow ochre and burnt umber for variation.

techniques

  • ·glazing
  • ·scumbling
  • ·blending
  • ·portraiture
  • ·rendering fabric

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the details too early in the process.
  • →Using colors that are too bright or saturated.
  • →Failing to create a sense of depth and form.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (red, yellow ochre, ivory black, titanium white, burnt umber, raw sienna)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·assorted brushes (small round, small flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. A smooth canvas surface will be easier to work with.

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oil painting for beginners →how to learn by studying the masters →
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