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home·artworks·Portrait of Joseph Nollekens with His Bust of Charles James Fox
Portrait of Joseph Nollekens with His Bust of Charles James Fox by Lemuel Francis Abbott

plate no. 9138

Portrait of Joseph Nollekens with His Bust of Charles James Fox

Lemuel Francis Abbott

oilRococoportraitportraitfigurebustclothingman
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones. It also provides practice in depicting fabric textures and folds.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figures and bust, paying attention to their relative sizes and positions.

  2. step 02

    Establish the overall value structure by blocking in the dark and light areas with thin washes of color.

  3. step 03

    Begin refining the skin tones of the figures, layering subtle variations in color and value to create a sense of depth and form.

  4. step 04

    Paint the clothing, focusing on the folds and highlights to create a realistic texture.

  5. step 05

    Render the bust, paying attention to the details of the face and hair.

  6. step 06

    Refine the background, creating a sense of depth and atmosphere.

  7. step 07

    Add final details and highlights to bring the painting to life.

  8. step 08

    Glaze with thin layers of color to unify the painting and enhance the overall effect.

color palette

primary · burnt umber · raw sienna · titanium white · ivory black

secondary · yellow ochre · Prussian blue · cadmium yellow

Mix skin tones using burnt umber, raw sienna, titanium white, and small amounts of yellow ochre and cadmium yellow. Darken shadows with ivory black and Prussian blue.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·value studies
  • ·color mixing

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the skin tones and losing the sense of freshness.
  • →Failing to create a sense of depth and atmosphere in the background.
  • →Ignoring the subtle variations in color and value.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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oil painting for beginners →how to learn by studying the masters →
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