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home·artworks·Portrait of John William Mackay
Portrait of John William Mackay by Alexandre Cabanel

plate no. 6558

Portrait of John William Mackay

Alexandre Cabanel, 1878

oil, canvasAcademicismportraitportraitfiguremanclothingchairbackground
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions, capturing likeness, and rendering realistic skin tones. It also provides practice in creating depth and form through subtle value changes and blending.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and overall pose.

  2. step 02

    Establish the background with a dark, even tone, leaving space for the figure.

  3. step 03

    Block in the main areas of color for the skin, clothing, and chair, using a limited palette of earth tones.

  4. step 04

    Begin refining the facial features, paying close attention to the placement and shape of the eyes, nose, and mouth.

  5. step 05

    Develop the form of the clothing and chair by adding highlights and shadows, blending carefully to create smooth transitions.

  6. step 06

    Add details such as the hair, mustache, and hands, using smaller brushes and more precise strokes.

  7. step 07

    Refine the overall composition by adjusting values and adding subtle color variations.

  8. step 08

    Add final highlights and details to create a sense of realism and depth.

color palette

primary · burnt umber · raw sienna · titanium white · ivory black

secondary · alizarin crimson · yellow ochre

Achieve skin tones by mixing white, raw sienna, burnt umber, and a touch of alizarin crimson. Darken colors with burnt umber and black. Use yellow ochre to warm up highlights.

techniques

  • ·portraiture
  • ·blending
  • ·value studies
  • ·layering
  • ·glazing

common pitfalls

  • →Getting the proportions wrong, especially in the face.
  • →Over-blending, resulting in a flat, lifeless appearance.
  • →Failing to capture the likeness of the subject.
  • →Ignoring subtle value changes, which are crucial for creating form.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints (burnt umber, raw sienna, titanium white, ivory black, alizarin crimson, yellow ochre)
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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oil painting for beginners →how to learn by studying the masters →
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