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home·artworks·Portrait of Johann Hauffe
Portrait of Johann Hauffe by Dmitry Levitzky

plate no. 9437

Portrait of Johann Hauffe

Dmitry Levitzky, 1790

oil, canvasRococoportraitportraitfiguremanclothinghistoricalwig
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones. It also provides practice in creating soft, atmospheric backgrounds and depicting fabric textures.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic proportions and pose of the figure on the canvas.

  2. step 02

    Establish the background with broad, blended strokes of dark blues and browns.

  3. step 03

    Block in the main shapes of the figure's clothing with dark values.

  4. step 04

    Begin layering skin tones, starting with mid-tones and gradually adding highlights and shadows.

  5. step 05

    Refine the details of the face, paying close attention to the eyes, nose, and mouth.

  6. step 06

    Paint the wig with careful attention to the individual strands and curls.

  7. step 07

    Add the details of the ruffled collar, using light and shadow to create texture.

  8. step 08

    Make final adjustments to the values and colors to create a cohesive and realistic portrait.

color palette

primary · ivory black · titanium white · raw umber · cadmium red light

secondary · ultramarine blue · yellow ochre · alizarin crimson

Achieve skin tones by mixing white, red, yellow ochre, and a touch of umber. Use ultramarine blue and ivory black for the dark background, adding white for lighter areas.

techniques

  • ·portrait sketching
  • ·glazing
  • ·blending
  • ·scumbling
  • ·chiaroscuro

common pitfalls

  • →Overworking the skin tones, resulting in a muddy appearance.
  • →Failing to accurately capture the likeness of the subject.
  • →Neglecting the background, making it appear flat and lifeless.
  • →Using too much detail in the clothing, distracting from the face.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints (ivory black, titanium white, raw umber, cadmium red light, ultramarine blue, yellow ochre, alizarin crimson)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·painting medium

Use high-quality oil paints for best results. A medium-tooth canvas will provide a good surface for blending and layering.

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oil painting for beginners →how to learn by studying the masters →
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