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home·artworks·Portrait of Johann Friedrich, Elector of Saxony
Portrait of Johann Friedrich, Elector of Saxony by Lucas Cranach the Elder

plate no. 2835

Portrait of Johann Friedrich, Elector of Saxony

Lucas Cranach the Elder, 1531

oil, woodNorthern Renaissanceportraitportraitfigurehatfurjewelrymale
some experience helpful

Recreating this portrait will help students develop skills in portraiture, including accurate proportions, rendering skin tones, and depicting textures like fur and metal. It also provides practice in layering and glazing techniques to achieve depth and realism.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and hat.

  2. step 02

    Establish the background color with a thin wash of blue.

  3. step 03

    Block in the main areas of color: skin tones, hair, fur, hat, and clothing.

  4. step 04

    Begin layering and blending the skin tones, paying attention to subtle variations in color and value.

  5. step 05

    Develop the details of the face, including the eyes, nose, and mouth.

  6. step 06

    Render the textures of the fur and hat, using small brushstrokes and varying the value and color.

  7. step 07

    Paint the jewelry and clothing, adding highlights and shadows to create a sense of depth.

  8. step 08

    Add final details and refine the overall composition.

color palette

primary · titanium white · yellow ochre · burnt umber · cadmium red

secondary · ultramarine blue · ivory black · gold

Skin tones can be achieved by mixing titanium white, yellow ochre, and a touch of cadmium red. Vary the proportions to create highlights and shadows. Mix burnt umber and ivory black for the dark areas of the fur and hat.

techniques

  • ·portraiture
  • ·glazing
  • ·layering
  • ·blending
  • ·rendering textures

common pitfalls

  • →Inaccurate proportions in the initial sketch.
  • →Overblending the skin tones, resulting in a flat appearance.
  • →Failing to capture the subtle variations in color and value.
  • →Neglecting the details of the jewelry and clothing.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·cadmium red oil paint
  • ·ultramarine blue oil paint
  • ·ivory black oil paint
  • ·assorted round and flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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