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home·artworks·Portrait of Jean Tronchin
Portrait of Jean Tronchin by Jean-Étienne Liotard

plate no. 7359

Portrait of Jean Tronchin

Jean-Étienne Liotard, 1759

pastelRococoportraitportraitfiguremanclothingwighistorical
some experience helpful

Recreating this portrait will help students develop skills in blending pastel colors to achieve smooth transitions and subtle variations in skin tone and fabric texture. It also provides practice in capturing realistic facial features and details.

technical profile

palette complexity
4
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and clothing.

  2. step 02

    Establish the background color with a light layer of pastel, blending it smoothly.

  3. step 03

    Begin blocking in the main areas of color on the face, hair, and clothing, using light pressure.

  4. step 04

    Gradually build up the values and details on the face, paying close attention to the highlights and shadows.

  5. step 05

    Work on the hair, using short, curved strokes to create the texture of the wig.

  6. step 06

    Develop the details of the clothing, including the buttons and folds.

  7. step 07

    Refine the edges and contours of the figure, softening them where necessary.

  8. step 08

    Add final highlights and details to complete the portrait.

color palette

primary · raw umber · titanium white · burnt sienna

secondary · yellow ochre · ivory black · rose madder

Mix raw umber and white for the background. Use burnt sienna and white with touches of rose madder for the skin tones. Mix ivory black and white for the wig, adding touches of raw umber for depth.

techniques

  • ·blending
  • ·layering
  • ·hatching
  • ·scumbling
  • ·softening edges

common pitfalls

  • →Overblending, which can result in a muddy or lifeless appearance.
  • →Using too much pressure, which can make the pastel difficult to blend.
  • →Neglecting the subtle variations in color and value.
  • →Failing to capture the likeness of the subject.

materials

surface · pastel paper (toned)

required

  • ·pastel set (soft pastels)
  • ·pastel pencils
  • ·pastel paper (toned)
  • ·kneaded eraser
  • ·blending stumps
  • ·fixative spray
  • ·drawing board
  • ·ruler

optional

  • ·palette knife
  • ·workable fixative
  • ·soft chamois cloth

Choose a high-quality pastel paper with a slightly textured surface to hold the pastel. A toned paper will help to establish the values more quickly.

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