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home·artworks·Portrait of Jean Carondelet
Portrait of Jean Carondelet by Bernard Van Orley

plate no. 4952

Portrait of Jean Carondelet

Bernard Van Orley, 1530

oilNorthern Renaissanceportraitportraitfigurebookclothingbackground detailshat
experienced study

Recreating this painting will help students develop skills in portraiture, including accurate rendering of facial features and hands, as well as understanding subtle value changes to create form. It also provides practice in depicting textures of different materials like fabric and skin.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the basic shapes and proportions of the figure, hat, and book.

  2. step 02

    Establish the background by blocking in the dark green foliage and other elements.

  3. step 03

    Start with the face, using thin layers of paint to build up the values and capture the likeness.

  4. step 04

    Move on to the clothing, paying attention to the folds and shadows in the fabric.

  5. step 05

    Paint the hands and book, focusing on the details of the fingers and the texture of the pages.

  6. step 06

    Refine the details of the background, including the small painting and the heraldic shield.

  7. step 07

    Add highlights and shadows to create depth and dimension.

  8. step 08

    Glaze with thin layers of color to unify the painting and enhance the overall effect.

color palette

primary · ivory black · raw umber · burnt sienna · titanium white

secondary · cadmium red · viridian green · yellow ochre

Mix various shades of brown and black for the clothing and background. Use white to create highlights on the face and hands. Mix greens and yellows for the foliage.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture
  • ·layering

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the details and losing the overall effect.
  • →Using too much paint and creating a muddy texture.
  • →Failing to capture the subtle value changes in the skin.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 0, 2, 4)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Allow each layer of paint to dry before applying the next.

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oil painting for beginners →how to learn by studying the masters →
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