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home·artworks·Portrait of Jacques Necker
Portrait of Jacques Necker by Joseph Duplessis

plate no. 9921

Portrait of Jacques Necker

Joseph Duplessis, 1781

oil, canvasRococoportraitportraitfiguremanclothingrococohistorical
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering fabric textures. It also provides practice in subtle color blending and creating soft, diffused lighting.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the oval shape and the basic proportions of the figure, focusing on the head, shoulders, and torso.

  2. step 02

    Establish the background color with a thin, even wash of muted gray-green.

  3. step 03

    Block in the main shapes of the face, hair, and clothing with simplified color masses.

  4. step 04

    Refine the facial features, paying close attention to the subtle variations in skin tone and the placement of highlights and shadows.

  5. step 05

    Develop the details of the hair, using short, broken strokes to suggest texture and volume.

  6. step 06

    Render the clothing, focusing on the folds and drapery of the jacket and the delicate ruffles of the shirt.

  7. step 07

    Add final highlights and shadows to enhance the three-dimensionality of the figure.

  8. step 08

    Glaze the entire painting with a thin layer of medium to unify the colors and create a soft, luminous effect.

color palette

primary · ivory black · titanium white · raw umber · alizarin crimson

secondary · yellow ochre · ultramarine blue

Achieve the skin tones by mixing white, raw umber, and a touch of alizarin crimson. Use ivory black and alizarin crimson to create the dark purple of the jacket, and add white for highlights.

techniques

  • ·portraiture
  • ·glazing
  • ·blending
  • ·rendering fabric
  • ·soft lighting

common pitfalls

  • →Overworking the details too early
  • →Using too much paint and losing the soft, diffused effect
  • →Failing to capture the likeness of the subject
  • →Creating harsh lines instead of soft transitions

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·alizarin crimson oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·assorted round and flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. A smooth canvas surface will help achieve the soft, blended effect.

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