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home·artworks·Portrait of Jacques Laurens de Waru
Portrait of Jacques Laurens de Waru by Raimundo de Madrazo

plate no. 1513

Portrait of Jacques Laurens de Waru

Raimundo de Madrazo, 1914

oil, canvasAcademicismportraitportraitfiguremanclothingflowerhand
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness, rendering realistic skin tones, and creating depth through subtle value changes. It also provides practice in painting fabrics and small details like the flower and cigarette.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic proportions and pose of the figure using light pencil lines.

  2. step 02

    Block in the main areas of color: background, skin tones, clothing, and flower.

  3. step 03

    Refine the skin tones by layering and blending different shades of flesh tones.

  4. step 04

    Add details to the face, such as the eyes, nose, and mouth, paying attention to accurate proportions and values.

  5. step 05

    Paint the clothing, focusing on the folds and shadows to create a sense of form.

  6. step 06

    Add the flower and other details, such as the cigarette, with careful attention to detail.

  7. step 07

    Refine the background and adjust the overall values to create a cohesive composition.

  8. step 08

    Add final highlights and shadows to enhance the realism of the portrait.

color palette

primary · ivory black · raw umber · burnt sienna · titanium white

secondary · alizarin crimson · yellow ochre

Mix skin tones by combining titanium white, yellow ochre, burnt sienna, and a touch of alizarin crimson. Use ivory black and raw umber to create the dark tones of the clothing and background. Add white to lighten these colors for highlights.

techniques

  • ·portrait sketching
  • ·value studies
  • ·layering
  • ·blending
  • ·glazing

common pitfalls

  • →Incorrect proportions in the initial sketch
  • →Over-blending the skin tones, resulting in a flat appearance
  • →Ignoring subtle value changes in the face
  • →Getting the likeness wrong
  • →Not paying attention to the details

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·linseed oil
  • ·turpentine

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Pre-toned canvas with a neutral color can be helpful.

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oil painting for beginners →how to learn by studying the masters →
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