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home·artworks·Portrait of Izabela Lubomirska
Portrait of Izabela Lubomirska by Louise Elisabeth Vigee Le Brun

plate no. 2025

Portrait of Izabela Lubomirska

Louise Elisabeth Vigee Le Brun, 1782

oilRococoportraitportraitwomandresshatfigurerococo
some experience helpful

Recreating this painting will help students develop skills in portrait painting, including capturing likeness and rendering delicate fabrics and skin tones. It also provides practice in creating soft, diffused lighting and subtle color transitions.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the oval composition and the figure's pose, focusing on proportions.

  2. step 02

    Block in the main areas of color: background, skin tones, dress, and hat.

  3. step 03

    Begin refining the skin tones, paying attention to subtle variations in color and value.

  4. step 04

    Develop the details of the dress, including the ruffles, ribbon, and fabric folds.

  5. step 05

    Paint the hat and feather, focusing on the textures and shadows.

  6. step 06

    Add the small bouquet of flowers, capturing their delicate details.

  7. step 07

    Refine the background and blend the edges of the figure to create a soft, atmospheric effect.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · titanium white · ivory black · yellow ochre · rose madder

secondary · ultramarine blue · raw umber · cadmium yellow light

Achieve skin tones by mixing white, yellow ochre, and rose madder, with small amounts of blue or umber for shadows. The dress is primarily white with subtle variations created by adding small amounts of blue, yellow, or umber. The background is a mix of umber, black, and white.

techniques

  • ·portraiture
  • ·blending
  • ·glazing
  • ·scumbling
  • ·rendering fabrics

common pitfalls

  • →Overmixing colors, leading to muddy tones.
  • →Failing to capture the subtle variations in skin tones.
  • →Overworking the details, resulting in a stiff or unnatural appearance.
  • →Ignoring the importance of soft, diffused lighting.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·rose madder oil paint
  • ·#2 round brush
  • ·#6 filbert brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a medium to thin the paints and improve blending.

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