apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of Ilona Lotz
Portrait of Ilona Lotz by Károly Lotz

plate no. 6996

Portrait of Ilona Lotz

Károly Lotz

oilRomanticismportraitportraitfigurehairdressface
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering soft light and shadow. It also provides practice in painting hair and fabric textures.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the oval composition and the basic proportions of the figure.

  2. step 02

    Block in the background with dark, warm tones, establishing the overall value range.

  3. step 03

    Roughly define the shapes of the face, hair, and dress with thin washes of color.

  4. step 04

    Begin building up the skin tones, focusing on subtle shifts in color and value.

  5. step 05

    Develop the hair, using varied brushstrokes to suggest texture and movement.

  6. step 06

    Add details to the dress, paying attention to the folds and highlights.

  7. step 07

    Refine the facial features, capturing the likeness and expression.

  8. step 08

    Add final highlights and shadows to enhance the form and create depth.

color palette

primary · titanium white · burnt umber · yellow ochre · cadmium red light

secondary · ultramarine blue · raw sienna

Mix skin tones by blending white, yellow ochre, and a touch of cadmium red. Use burnt umber and ultramarine blue to create dark shadows. Add raw sienna to warm up the hair color.

techniques

  • ·portraiture
  • ·blending
  • ·scumbling
  • ·glazing
  • ·rendering

common pitfalls

  • →Overworking the details too early in the process.
  • →Using too much paint and losing the subtle gradations of color.
  • →Failing to capture the likeness of the subject.
  • →Ignoring the overall value structure and creating a flat image.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints (titanium white, burnt umber, yellow ochre, cadmium red light, ultramarine blue, raw sienna)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife

optional

  • ·retouch varnish
  • ·medium (e.g. Liquin)

Use high-quality oil paints for best results. A medium can be added to the paint to improve flow and drying time.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke