
plate no. 6254
Dmitry Levitzky, 1795
Recreating this portrait will help students develop skills in color mixing for skin tones and rendering fabric textures with subtle value changes. It also provides practice in capturing likeness and creating a sense of depth through layering.
technical profile
approach — 8 steps
Lightly sketch the basic shapes and proportions of the head, shoulders, and clothing.
Establish the background color with a thin wash of mixed greens and grays.
Block in the main areas of the face with light skin tones, paying attention to the highlights and shadows.
Begin layering darker values to define the facial features, such as the eyes, nose, and mouth.
Paint the hair with a combination of light and dark tones, suggesting individual strands.
Block in the dark green of the coat, adding subtle variations in color and value to create depth.
Paint the white ruffled shirt, paying attention to the folds and highlights.
Add the final details, such as the buttons and any remaining highlights.
color palette
primary · titanium white · yellow ochre · burnt umber · viridian green
secondary · cadmium yellow · alizarin crimson · ivory black
Skin tones are achieved by mixing white, yellow ochre, burnt umber, and a touch of alizarin crimson. The green coat is a mix of viridian green, ivory black, and a touch of yellow ochre.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas for best results. Consider using a glazing medium to enhance the depth and luminosity of the colors.
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