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home·artworks·Portrait of I. I. Dmitriyev
Portrait of I. I. Dmitriyev by Dmitry Levitzky

plate no. 6254

Portrait of I. I. Dmitriyev

Dmitry Levitzky, 1795

oil, canvasRococoportraitportraitfiguremanclothinghistorical
some experience helpful

Recreating this portrait will help students develop skills in color mixing for skin tones and rendering fabric textures with subtle value changes. It also provides practice in capturing likeness and creating a sense of depth through layering.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, shoulders, and clothing.

  2. step 02

    Establish the background color with a thin wash of mixed greens and grays.

  3. step 03

    Block in the main areas of the face with light skin tones, paying attention to the highlights and shadows.

  4. step 04

    Begin layering darker values to define the facial features, such as the eyes, nose, and mouth.

  5. step 05

    Paint the hair with a combination of light and dark tones, suggesting individual strands.

  6. step 06

    Block in the dark green of the coat, adding subtle variations in color and value to create depth.

  7. step 07

    Paint the white ruffled shirt, paying attention to the folds and highlights.

  8. step 08

    Add the final details, such as the buttons and any remaining highlights.

color palette

primary · titanium white · yellow ochre · burnt umber · viridian green

secondary · cadmium yellow · alizarin crimson · ivory black

Skin tones are achieved by mixing white, yellow ochre, burnt umber, and a touch of alizarin crimson. The green coat is a mix of viridian green, ivory black, and a touch of yellow ochre.

techniques

  • ·portraiture
  • ·glazing
  • ·blending
  • ·layering
  • ·scumbling

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Failing to establish accurate proportions in the initial sketch.
  • →Ignoring subtle value changes in the skin and clothing.
  • →Overworking the details before establishing the overall form.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·viridian green oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-grain canvas for best results. Consider using a glazing medium to enhance the depth and luminosity of the colors.

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