apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of Horace Walpole
Portrait of Horace Walpole by Jean-Baptiste van Loo

plate no. 6817

Portrait of Horace Walpole

Jean-Baptiste van Loo

oilRococoportraitportraitfiguremanwigtablechair
some experience helpful

This painting provides practice in rendering realistic skin tones and the subtle folds and textures of clothing. Students will also develop skills in capturing likeness and creating a sense of depth through value changes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure and background.

  2. step 02

    Establish the main light and shadow areas with a thin wash of neutral color.

  3. step 03

    Begin building up the skin tones with layers of subtle color variations.

  4. step 04

    Define the details of the face, paying attention to the light and shadow on the features.

  5. step 05

    Work on the clothing, capturing the folds and textures with careful brushwork.

  6. step 06

    Add the details of the wig, chair, table, and other elements.

  7. step 07

    Refine the overall composition, adjusting values and colors as needed.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · ivory black · raw umber · titanium white · yellow ochre

secondary · ultramarine blue · burnt sienna

Mix various shades of gray and brown by combining ivory black, raw umber, and titanium white. Add small amounts of yellow ochre and burnt sienna to warm the skin tones and clothing. Use ultramarine blue to create cooler shadows.

techniques

  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro
  • ·portraiture

common pitfalls

  • →Overmixing colors and creating muddy tones.
  • →Failing to capture the likeness of the subject.
  • →Ignoring the subtle value changes that create depth.
  • →Getting lost in the details before establishing the overall composition.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·#2 round brush
  • ·#6 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. A medium-sized canvas (16x20 inches) is recommended for beginners.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Louis XV, King of France

Louis XV, King of France

Charles-Andre van Loo (Carle van Loo)

William James

William James

Joshua Reynolds

Wooded Landscape with Gypsies, Evening

Wooded Landscape with Gypsies, Evening

George Lambert

Head of a Scholar

Head of a Scholar

Giovanni Domenico Tiepolo

Gentleman and Wife

Gentleman and Wife

William Williams

Portrait of Antoine Watteau

Portrait of Antoine Watteau

Rosalba Carriera

Portrait of Henriette of France, daughter of Louis XV

Portrait of Henriette of France, daughter of Louis XV

Jean-Étienne Liotard

Mr. John Williams

Mr. John Williams

Benjamin West