
plate no. 6817
This painting provides practice in rendering realistic skin tones and the subtle folds and textures of clothing. Students will also develop skills in capturing likeness and creating a sense of depth through value changes.
technical profile
approach — 8 steps
Sketch the basic shapes and proportions of the figure and background.
Establish the main light and shadow areas with a thin wash of neutral color.
Begin building up the skin tones with layers of subtle color variations.
Define the details of the face, paying attention to the light and shadow on the features.
Work on the clothing, capturing the folds and textures with careful brushwork.
Add the details of the wig, chair, table, and other elements.
Refine the overall composition, adjusting values and colors as needed.
Add final highlights and details to complete the painting.
color palette
primary · ivory black · raw umber · titanium white · yellow ochre
secondary · ultramarine blue · burnt sienna
Mix various shades of gray and brown by combining ivory black, raw umber, and titanium white. Add small amounts of yellow ochre and burnt sienna to warm the skin tones and clothing. Use ultramarine blue to create cooler shadows.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. A medium-sized canvas (16x20 inches) is recommended for beginners.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Louis XV, King of France
Charles-Andre van Loo (Carle van Loo)

William James
Joshua Reynolds

Wooded Landscape with Gypsies, Evening
George Lambert

Head of a Scholar
Giovanni Domenico Tiepolo

Gentleman and Wife
William Williams

Portrait of Antoine Watteau
Rosalba Carriera

Portrait of Henriette of France, daughter of Louis XV
Jean-Étienne Liotard

Mr. John Williams
Benjamin West